Call for entries
Pixilerations [v.7] new media showcase - part of the FirstWorks Festival, Providence, Rhode Island, USA, September 30 - October 10 2010
PIXILERATIONS [v.7] investigates the state of new media arts through installations, concert performances and film/video screenings.
details: http://www.first-works.org
deadline: March 31 2010
Friday 19 March 2010
Women Make Waves Film Festival
Women Make Waves Film Festival, Taipei, Taiwan, October 2010
Women Make Waves Film Festival aims to celebrate the achievements of outstanding female talents, to explore different aspects of women's lives as well as to promote equality and rights of all genders. Submission to the festival is open to feature films, short films, documentaries, animation, experimental films and innovative visual productions for digital media.
details: http://www.wmw.com.tw
call for entries deadline: April 30 2010
Women Make Waves Film Festival aims to celebrate the achievements of outstanding female talents, to explore different aspects of women's lives as well as to promote equality and rights of all genders. Submission to the festival is open to feature films, short films, documentaries, animation, experimental films and innovative visual productions for digital media.
details: http://www.wmw.com.tw
call for entries deadline: April 30 2010
Piksel10 Festival
PIKSEL10 FESTIVAL, Bergen, Norway, November 18 - 21 2010
Piksel is an annual event for artists and developers working with free and open source software, hardware and art. Part workshop, part festival, it is organised in Bergen, Norway, and involves participants from more than a dozen countries exchanging ideas, coding, presenting art and software projects, doing workshops, performances and discussions on the aesthetics and politics of free and open source software.
details: http://www.piksel.org
http://piksel.no/ocs
deadline: June 1 2010
Piksel is an annual event for artists and developers working with free and open source software, hardware and art. Part workshop, part festival, it is organised in Bergen, Norway, and involves participants from more than a dozen countries exchanging ideas, coding, presenting art and software projects, doing workshops, performances and discussions on the aesthetics and politics of free and open source software.
details: http://www.piksel.org
http://piksel.no/ocs
deadline: June 1 2010
Tuesday 16 March 2010
Drawing Spaces - residencies
DRAWING SPACES | CALL FOR SUBMISSIONS
Residency & Exhibition Program 2010
Drawing Spaces invites artists/ practice-based researchers to submit proposals for a 2 to 3 week project at Drawing Spaces, Lisbon (Portugal).
[Month: to be confirmed]
DEADLINE: 15 April 2010
All candidates will be contacted for feedback after a few weeks after the closing date for submission. For application guideline, please go to:
http://drawingspacesen.weebly.com/call-for-proposal-2010.html
Drawing Spaces strongly encourages potential applicants to tour through our website for a better understanding of Drawing Spaces objectives and mission as a whole. This will also help the applicant to decide if Drawing Spaces is suitable for his/her project or vice versa.
CONTACTS
Espaços do Desenho - Drawing Spaces, Fábrica Braço de Prata
Rua da Fábrica do Material de Guerra, nº1, 1950 – 128, Lisbon, Portugal
Office Address: Rua dos Argonautas 3.17.03, 5A, 1990 – 014, Lisbon, Portugal
Opening Hours: Wednesday to Saturday, from 7pm to 11 pm
Email: drawingspaces@googlemail.com
Facebook: facebook.com/drawingspaces.espacosdodesenho
Residency & Exhibition Program 2010
Drawing Spaces invites artists/ practice-based researchers to submit proposals for a 2 to 3 week project at Drawing Spaces, Lisbon (Portugal).
[Month: to be confirmed]
DEADLINE: 15 April 2010
All candidates will be contacted for feedback after a few weeks after the closing date for submission. For application guideline, please go to:
http://drawingspacesen.weebly.com/call-for-proposal-2010.html
Drawing Spaces strongly encourages potential applicants to tour through our website for a better understanding of Drawing Spaces objectives and mission as a whole. This will also help the applicant to decide if Drawing Spaces is suitable for his/her project or vice versa.
CONTACTS
Espaços do Desenho - Drawing Spaces, Fábrica Braço de Prata
Rua da Fábrica do Material de Guerra, nº1, 1950 – 128, Lisbon, Portugal
Office Address: Rua dos Argonautas 3.17.03, 5A, 1990 – 014, Lisbon, Portugal
Opening Hours: Wednesday to Saturday, from 7pm to 11 pm
Email: drawingspaces@googlemail.com
Facebook: facebook.com/drawingspaces.espacosdodesenho
Architectural Humanities Research Association
Open Call for Expression of Interest to host 8th International Architectural Humanities Research Association [AHRA] conference, (Nov 2011)
Deadline Monday 5 April
Schools of Architecture in the United Kingdom, Europe or United States are invited to submit a draft proposal to host the 8th International AHRA conference due to be held in November 2011. Please consider the range of previous AHRA conference themes when making your bid. Also ensure that your bid aligns with AHRA’s agenda to be inter-disciplinary and inclusive.
Please provide in your submission the following:
1. Conference title;
2. A 300 word description of the proposed conference theme including key
questions. This information will be as is included a Conference Call for Papers;
3. A list of six invited speakers you would like to invite;
4. Conference venue and dates;
5. Conference committee members as well as point of contact;
6. Financial proposal for funding of conference.
'Expressions of Interest' are to be emailed to Dr Igea Troiani, itroiani@brookes.ac.uk by Monday 5th April 2010.
Deadline Monday 5 April
Schools of Architecture in the United Kingdom, Europe or United States are invited to submit a draft proposal to host the 8th International AHRA conference due to be held in November 2011. Please consider the range of previous AHRA conference themes when making your bid. Also ensure that your bid aligns with AHRA’s agenda to be inter-disciplinary and inclusive.
Please provide in your submission the following:
1. Conference title;
2. A 300 word description of the proposed conference theme including key
questions. This information will be as is included a Conference Call for Papers;
3. A list of six invited speakers you would like to invite;
4. Conference venue and dates;
5. Conference committee members as well as point of contact;
6. Financial proposal for funding of conference.
'Expressions of Interest' are to be emailed to Dr Igea Troiani, itroiani@brookes.ac.uk by Monday 5th April 2010.
Monday 1 March 2010
Harpo Foundation
Call for Funding Proposals
Deadline 15 April 2010
http://www.harpofoundation.org
Mission
Harpo Foundation was established in 2006 to support artists who are under recognized by the field. This applies to all artists whether emerging or further along in their careers. We view the definitions of art and artist to be open-ended and expansive.
2010 Funding Focus
The relationship between art and site in an era defined by digital technologies is the focus for Harpo Foundation's 2010 funding cycle. Of specific interest is the dialectic between the non-locality of the digital world and the existential physicality of our everyday environment. For example, our sense of place is being drastically altered by web space, which brings geographically distant locations together to form a new kind of locality, yet what's small, local, personal, political and natural informs our vision for a sustainable future; the search for place-bound identity persists.
Deadline 15 April 2010
http://www.harpofoundation.org
Mission
Harpo Foundation was established in 2006 to support artists who are under recognized by the field. This applies to all artists whether emerging or further along in their careers. We view the definitions of art and artist to be open-ended and expansive.
2010 Funding Focus
The relationship between art and site in an era defined by digital technologies is the focus for Harpo Foundation's 2010 funding cycle. Of specific interest is the dialectic between the non-locality of the digital world and the existential physicality of our everyday environment. For example, our sense of place is being drastically altered by web space, which brings geographically distant locations together to form a new kind of locality, yet what's small, local, personal, political and natural informs our vision for a sustainable future; the search for place-bound identity persists.
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